Portal:Blues
The Blues Portal
Blues is a music genre and musical form that originated amongst African-Americans in the Deep South of the United States around the 1860s. Blues has incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture. The blues form is ubiquitous in jazz, rhythm and blues, and rock and roll, and is characterized by the call-and-response pattern, the blues scale, and specific chord progressions, of which the twelve-bar blues is the most common. Blue notes (or "worried notes"), usually thirds, fifths or sevenths flattened in pitch, are also an essential part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove.
Blues music is characterized by its lyrics, bass lines, and instrumentation. Early traditional blues verses consisted of a single line repeated four times. It was only in the first decades of the 20th century that the most common current structure became standard: the AAB pattern, consisting of a line sung over the four first bars, its repetition over the next four, and then a longer concluding line over the last bars. Early blues frequently took the form of a loose narrative, often relating the racial discrimination and other challenges experienced by African-Americans.
Many elements, such as the call-and-response format and the use of blue notes, can be traced back to the music of Africa. The origins of the blues are also closely related to the religious music of the African-American community, the spirituals. The first appearance of the blues is often dated to after the ending of slavery, with the development of juke joints occurring later. It is associated with the newly acquired freedom of the former slaves. Chroniclers began to report about blues music at the dawn of the 20th century. The first publication of blues sheet music was in 1908. Blues has since evolved from unaccompanied vocal music and oral traditions of slaves into a wide variety of styles and subgenres. Blues subgenres include country blues, Delta blues and Piedmont blues, as well as urban blues styles such as Chicago blues and West Coast blues. World War II marked the transition from acoustic to electric blues and the progressive opening of blues music to a wider audience, especially white listeners. In the 1960s and 1970s, a hybrid form called blues rock developed, which blended blues styles with rock music. (Full article...)
Selected article -
Blues People: Negro Music in White America is a seminal study of Afro-American music (and culture generally) by Amiri Baraka, who published it as LeRoi Jones in 1963. In Blues People Baraka explores the possibility that the history of black Americans can be traced through the evolution of their music. It is considered a classic work on jazz and blues music in American culture. The book documents the effects of jazz and blues on American culture, at musical, economic, and social levels. It chronicles the types of music dating back to the slaves up to the 1960s. Blues People argues that "negro music"—as Amiri Baraka calls it—appealed to and influenced new America. According to Baraka, music and melody is not the only way the gap between American culture and African-American culture was bridged. Music also helped spread values and customs through its media exposure. Blues People demonstrates the influence of African Americans and their culture on American culture and history. The book examines blues music as performance, as cultural expression, even in the face of its commodification. To Baraka, Blues People represented "everything [he] had carried for years, what [he] had to say, and [himself]". The book is deeply personal and chronicles what brought him to believe that blues was a personal history of his people in the United States. The resonance and desperation of this type of music is what compelled Baraka to learn about the history of blues music. He learned through his studies that the "Africanisms" is directly related to American culture, rather than being solely related to Black people. Baraka dedicates the book "to my parents ... the first Negroes I ever met". (Full article...)
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“ | Blues is really America's finest art form and most dominant art form of the 20th century. | ” |
— Georgie Fame |
“ | Blues is a natural fact, something that a fellow lives. If you don't live it, you don't have it. | ” |
— Big Bill Broonzy |
“ | The blues is a low-down achin' heart disease Like consumption killing me by degrees. |
” |
— Robert Johnson, "Preaching Blues (Up Jumped the Devil)" |
“ | When you lay down at night, turning from one side of the bed to the other and can't sleep, what's the matter? Blues got you. | ” |
— Lead Belly |
“ | The blues had a baby and they named it rock and roll. | ” |
— Muddy Waters |
Selected biography -
Willie Johnson (January 25, 1897 – September 18, 1945), commonly known as Blind Willie Johnson, was an American gospel blues singer and guitarist. His landmark recordings completed between 1927 and 1930, thirty songs in all, display a combination of powerful chest voice singing, slide guitar skills and originality that has influenced generations of musicians. His records sold well though as a street performer and preacher, he had little wealth in his lifetime. His life was poorly documented, but over time, music historians such as Samuel Charters have uncovered more about him and his five recording sessions.
A revival of interest in Johnson's music began in the 1960s following his inclusion on Harry Smith's Anthology of American Folk Music and by the efforts of the blues guitarist Reverend Gary Davis. Along with Davis, he has since been considered the dominant player of holy blues music which convey religious themes in a blues style, often with a blues style of guitar accompaniment. (Full article...)
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